Jumat, 21 Februari 2014

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Software for Use: A Practical Guide to the Models and Methods of Usage-Centered Design, by Larry L. Constantine, Lucy A. D. Lockwood

In the quest for quality, software developers have long focused on improving the internal architecture of their products. Larry L. Constantine--who originally created structured design to effect such improvement--now joins with well-known consultant Lucy A. D. Lockwood to turn the focus of software development to the external architecture. In this book, they present the models and methods of a revolutionary approach to software that will help programmers deliver more usable software--software that will enable users to accomplish their tasks with greater ease and efficiency.

Recognizing usability as the key to successful software, Constantine and Lockwood provide concrete tools and techniques that programmers can employ to meet that end. Much more than just another set of rules for good user-interface design, this book guides readers through a systematic software development process. This process, called usage-centered design, weaves together two major threads in software development methods: use cases (also used with UML) and essential modeling. With numerous examples and case studies of both conventional and specialized software applications, the authors illustrate what has been shown in practice to work and what has proved to be of greatest practical value.

Highlights

  • Presents a streamlined process for developing highly usable software
  • Describes practical methods and models successfully implemented in industry
  • Complements modern development practices, including the Unified Process and other object-oriented software engineering approaches

  • Sales Rank: #1842234 in Books
  • Published on: 1999-04-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.56" h x 1.37" w x 7.62" l, 2.59 pounds
  • Binding: Hardcover
  • 608 pages

Amazon.com Review
For anyone who designs applications or Web pages professionally, Software for Use provides an appealingly written guide to user interface design. This book delivers many valuable insights on improving interfaces for both desktop applications and Web sites.

A software design process is first presented that's centered on usability (with terms like "user roles," "use cases," and "interaction contexts"). Early sections have much to say about inadequate interfaces (using a number of Windows examples) and how to improve them. The book presents an argument for creating innovative and intuitable interfaces (often by rethinking time-honored Windows conventions).

The most provocative material here is the coverage of the Internet--the book argues that many Web sites sacrifice usability for visual razzle-dazzle, and it offers ways to organize Web sites for better usability. (A section on embedded devices looks at UI issues for these systems too.) A full case study of a user interface design for a corporate address book is included.

Software for Use makes a good case that there is room for improvement in today's user interfaces. This book is sure to be a valuable resource for anyone serious about improving the user's experience of software or Web sites. --Richard Dragan

Topics covered: Design processes; help systems and error messages; and interface creation for novice, intermediate, and advanced users.

From the Back Cover
In the quest for quality, software developers have long focused on improving the internal architecture of their products. Larry L. Constantine--who originally created structured design to effect such improvement--now joins with well-known consultant Lucy A. D. Lockwood to turn the focus of software development to the external architecture. In this book, they present the models and methods of a revolutionary approach to software that will help programmers deliver more usable software--software that will enable users to accomplish their tasks with greater ease and efficiency.

Recognizing usability as the key to successful software, Constantine and Lockwood provide concrete tools and techniques that programmers can employ to meet that end. Much more than just another set of rules for good user-interface design, this book guides readers through a systematic software development process. This process, called usage-centered design, weaves together two major threads in software development methods: use cases (also used with UML) and essential modeling. With numerous examples and case studies of both conventional and specialized software applications, the authors illustrate what has been shown in practice to work and what has proved to be of greatest practical value.

Highlights

  • Presents a streamlined process for developing highly usable software
  • Describes practical methods and models successfully implemented in industry
  • Complements modern development practices, including the Unified Process and other object-oriented software engineering approaches

    0201924781B04062001

    About the Author

    Larry L. Constantine, a pioneer of modern software engineering practice, is highly regarded as an authority on the human side of software development. A leading international lecturer, author, editor, and consultant, he has ten books and more than 120 published papers to his credit. Under the pen name Lior Samson, Larry has just published his first novel, Bashert, a political thriller set against the backdrop of Israel’s emergence as a nuclear power.

    Lucy A. D. Lockwood has more than a dozen years of experience in programming and project management. An international consultant, teacher, and writer, she chairs the User Interface Design Track of the Software Development Conference.



    0201924781AB04062001

    Most helpful customer reviews

    12 of 13 people found the following review helpful.
    Will lead to better, more usable systems
    By A Customer
    Perseverence is required, as the text is a little dry and verbose. However, there are too many leading edge ideas to score it other than full marks. Advances the state-of-the-art in systems engineering by promoting thorough requirements engineering using interaction neutral Essential Use Cases and then good quality Interaction Design as an integrated part of the lifecycle

    11 of 11 people found the following review helpful.
    An Informative and Enjoyable Read.
    By aharnden
    For anyone in the business of delivering usable software, the book 'Software for Use' by Larry Constantine and Lucy Lockwood is a must addition to their personal library. This book is wonderfully written in a very readable format (as would be expected from usability experts).
    'Software for Use' embraces the key principles of usability in a very pragmatic way. The book is also 'in tune' with trends in the field of usability: moving to a more collaborative team model; addressing usability as a proactive design process rather than a reactive QA function; rethinking technology, tools, & techniques for the purpose of delivering user-centric software products - these are all fundamental aspects of how usability is maturing as a discipline.
    One of things I enjoyed most about the book, was its hidden gems of wisdom embedded in each chapter. For example, in discussing the issues of marketability versus usability, the authors offer this simple maxim: "Design for use; refine for sale.... It is almost always far easier to make a functional but unaesthetic system attractive, than to take an attractive but impractical system and make it work."
    If I had any criticisms about this book, there would be only one. As with many of today's practical guides, I find there is a recurring challenge with terminology. It is sometimes difficult to identify terms that are 'standard' versus those being introduced by the authors as new. As practitioners we rely heavily on the clarity of words to communicate tasks and deliverables. When applied terms are unfamiliar in context and origin, or they suggest double meaning, we introduce cost and confusion to the process of communication. This is not so much a criticism of the book as it is an observation of humankind, and our struggle to expand the English language.
    As the authors themselves note, 'usability is not rocket science,' but it takes time and effort to achieve. Usability needs to be experienced before it can be standardized within an organization. That is why 'Software for Use' is such a good book - it is an experiential guide.

    36 of 38 people found the following review helpful.
    A must-read for anyone involved with user interfaces
    By A Customer
    I very much enjoyed Software for Use. When I got the book, I read it from cover to cover. Now, six months later, I still turn to it regularly as I develop use cases for our application - especially when I'm working on the user interface for each use case.
    You might expect that anything from Larry Constantine would be terrific and again he - this time with equally adept co-author Lucy Lockwood - hasn't let us down. SfU (as it seems to be called in the chat groups) addresses one of the most under-addressed issues in our industry: Why is so much potentially useful software in fact useless because of its appalling user interfaces?
    There are lots of valuable topics in this book. But probably the most valuable thing that I got from the book was a methodical approach to developing user interfaces, through the user role maps, task models, essential use cases, use case narrative, tools and materials and ... well, perhaps you should read the book!
    If you're in the mood for some edutainment (i.e. cheap laughs while learning something handy), read the section on Web wisdom. There you'll find some wonderfully silly interface designs to avoid on your next e-commerce project.
    Bottom line: I'll bet this book's on the way to becoming a classic. It's a "must read" for every software developer involved in any way with software that's meant to be used. And if you're actually charged with developing user interfaces, I'd say it's a "must own".

    See all 8 customer reviews...

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    • Published on: 2015-12-09
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.90" h x .90" w x 6.90" l, .0 pounds
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    Review

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    Most helpful customer reviews

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    By Maria Laura Garrido
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    The Savage God: A Study of Suicide, by A. Alvarez

    "To write a beautiful book about suicide . . . to transform the subject into something beautiful―this is the forbidding task that A. Alvarez set for himself. . . . He has succeeded."―New York Times

    "Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the romantic agony, to the Savage God at the heart of modern literature.

    • Sales Rank: #947799 in Books
    • Published on: 1972-04
    • Original language: English
    • Number of items: 1
    • Binding: Hardcover
    • 299 pages

    Review
    “The Savage God is the first study to attemp the historical, literary, philosophical dimensions of the mystery of suicide. . . . It is brilliant, touching, and oddly passionate. . . . An ambitious, exhaustive exploration into the nature of the self-destructive element in man.” (Village Voice)

    About the Author
    A. Alvarez is a highly acclaimed poet, novelist, literary critic, and author. He lives in London.

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    0 of 0 people found the following review helpful.
    BOOK TEACHES ALL ABOUT SUICIDE
    By PEP
    Learned all about this sad topic. Good book.

    9 of 10 people found the following review helpful.
    An Intriguing Literary Look at Suicide
    By Apostate
    I haven't read any other studies of suicide, but like many introspective people, the subject is familiar and even, ever present. Being also a huge student and aficionado of literature, A Savage God made for a pretty soothingly delightful read.

    To start off, Alvarez presents one with a mildly interesting account of the author's relationship (or acquaintanceship, rather) with Sylvia Plath and some musings on her suicide. This gives way to a somewhat terribly constructed historical analysis of suicide that more or less falls flat. The psychological angle is dealt with contemptuously -- as it should be -- and the most interesting part of the book, the literary analyses, takes over in the second half.

    The book was interesting in fits and starts, but never so boring in any one sustained part that I was moved to stop reading. One was carried from one stage to the next pretty seamlessly. It is conversational in style, even if the style is rather stiff and British - never personal, yet personal all along, the way some people can strip down to bare skin and their every thought is on their lips, and yet you don't get the sense of anything "personal" emerging. It's pleasant nevertheless because it's direct and honest.

    Even if a lot of light wasn't shed on what is, after all, a tremendously obscure subject, the book makes for good reading because there is a lot in it that I found myself thinking I would like to know. Just know. It doesn't matter how it connects with suicide, it doesn't matter how it illuminates the problems of the human condition: there are bits of knowledge that it is simply pleasant to be in possession of, and Alvarez provides plenty of those throughout the book. Also, I would be suspicious of any psychological or existential theory that would try to wrap suicide up in a package of overarching explanation -- it can't be done, as suicide is as varied as the experience of human suffering. Alvarez's method is more freewheeling, letting a picture of suicide emerge through a few case studies, a few historical tidbits, all resulting in giving one a clearer sense of suicide than one had to begin with. It's the same sense you would get if you were to sit down and do your research to write the first book on suicide ever written. In other words, it doesn't make suicide suddenly clear to you -- but you are left knowing more and seeing it with deeper understanding.

    If it goes to recommending it, it's a pretty quick read, and well enough written so that even a person not particularly interested in either literature or suicide would find it not wholly unreadable. I notice I use the word 'pleasant' in connection with the book, despite its morbid subject: That is, strangely enough, the effect one is left with - nostalgic, wise, calm, looking at the world and at people with wide understanding eyes that see across centuries to the pain that persists contra all essential instinct.

    52 of 52 people found the following review helpful.
    An excellent study of the many aspects of suicide.
    By E. Bukowsky
    Alvarez's classic book, "The Savage God," examines the religious, sociological, philosophical and literary aspects of suicide through the ages. In pagan Rome, suicide was habitual and considered an honorable way to die. In the Middle Ages, suicide was regarded with revulsion as a mortal sin. Dante, in his "Inferno," consigned suicides to the seventh circle of hell, below the burning heretics and murderers. Later on, the Romantics associated premature death with genius and they admired people who ended their lives while they were still at their artistic peak. Throughout history, mankind has viewed suicide as everything from an unforgivable crime of self-murder to the sad act of a person for whom living has become intolerable.

    In a more personal vein, Alvarez discusses the fascinating poet Sylvia Plath, with whom he was acquainted, as well as his own depression and attempted suicide. The section on Plath is superb. Alvarez was fond of Plath and he admired her work greatly. He reveals in a clear-eyed manner how the forces tearing her apart were stronger than those holding her together. "The Savage God" is an absorbing look at a subject often spoken of in whispers. The author points out that people who lose parents at an early age are more likely to take their own lives. He also examines in depth the strong and mysterious link between creative genius and the impulse toward suicide. "The Savage God" sheds light on the human condition in all of its complexity. Yet Alvarez never presumes to provide easy answers to questions that are unanswerable.

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    • Sales Rank: #3828836 in eBooks
    • Published on: 2009-05-18
    • Released on: 2009-05-18
    • Format: Kindle eBook

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    Rabu, 12 Februari 2014

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    Though often seen as one of America's native cinematic genres, the road movie has lent itself to diverse international contexts and inspired a host of filmmakers. As analyzed in this study, from its most familiar origins in Hollywood the road movie has become a global film practice, whether as a vehicle for exploring the relationship between various national contexts and American cinema, as a means of narrating different national and continental histories, or as a form of individual filmmaking expression. Beginning with key films from Depression-era Hollywood and the New Hollywood of the late 1960s and then considering its wider effect on world cinemas, this volume maps the development and adaptability of an enduring genre, studying iconic films along the way.

    • Sales Rank: #2492762 in Books
    • Published on: 2016-01-12
    • Original language: English
    • Number of items: 1
    • Dimensions: 7.80" h x .30" w x 5.90" l, .0 pounds
    • Binding: Paperback
    • 144 pages

    Review

    This astute broadening of the genre of the road movie geographically and generically is truly essential reading for both students and scholars. In moving away from the strictly American context and conception of the genre, yet without ignoring Hollywood's foundational creation of the genre in the Classical and Modern periods, this volume opens up a new vista on the endless allure of the open road.

    (David Desser, University of Illinois)

    About the Author

    Neil Archer is a lecturer in film studies at Keele University and the author of The French Road Movie: Space, Mobility, Identity.

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    • Published on: 2008-01-01
    • Dimensions: .0" h x .0" w x .0" l, .0 pounds
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    • Sales Rank: #22797 in Books
    • Brand: Grove Press, Black Cat
    • Published on: 2007-04-17
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.25" h x 5.50" w x .50" l, .43 pounds
    • Binding: Paperback
    • 181 pages
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    From Publishers Weekly
    A deadpan "Call Me Zits" opens the first novel in 10 years from Alexie (Smoke Signals, etc.), narrated by a self-described "time-traveling mass murderer" whose name and deeds unravel as this captivating bildungsroman progresses. Half-Indian, half-Irish, acne-beset Zits is 15: he never knew his alcoholic father; his mother died when he was six; his aunt kicked him out when he was 10 (after he set her sleeping boyfriend on fire because the boyfriend had been forcing Zits to have sex). Running away from his 20th foster home, Zits ends up, briefly, in jail; soon after, he enters a bank, shoots several people and is shot dead himself. Zits then commences time-traveling via the bodies of others, finding himself variously lodged in an FBI agent in the '70s (helping to assassinate radical Indian activists); a mute Indian boy at the Battle of Little Big Horn; an Indian tracker named Gus; an airplane pilot instructor (one of whose pupils commits a terrorist act); and his own father. Zits eventually comes back to himself and to an unexpected redemption. While the plot is wisp-thin, one quickly surrenders to Zits's voice, which elegantly mixes free-floating young adult cynicism with a charged, idiosyncratic view of American history. Alexie plunges the book into bracing depths. (Apr.)
    Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    From Bookmarks Magazine
    His first novel in over a decade, Sherman Alexie's Flight winds themes of alienation, revenge, and forgiveness through its narrator's time-traveling adventures. Critics were impressed with the clever Zits: his thoughts and actions are both humorous and painfully genuine, the essence of troubled adolescence. However, reviewers complained about the lack of depth, of fully developed secondary characters, and of historical detail. Many critics also noted that the plot's swift pace and tidy ending were more appropriate for juvenile fiction. The New York Times, on the other hand, considered these elements part of the novel's charm. Though Alexie's latest effort may disappoint some readers, many will still find snatches of his trademark humor and moving prose.

    Copyright © 2004 Phillips & Nelson Media, Inc.

    From Booklist
    It's tough enough to be an orphan and a ward of the state, let alone a so-called half-breed. Heck, being 15 years old is no freaking picnic, especially if your face is so badly marred by acne your nickname is Zits. Add to that a devastating history of abuse, and no wonder Zits, a gun in each hand, is about to exact revenge on strangers in a bank. Has Alexie, a high-profile writer known for provocative, inventive, in-your-face fiction about Native American life, written a classic troubled youth-turned-killer tale? Of course not. This is a time-travel fable about the legacy of prejudice and pain. Zits is inexplicably catapulted back to 1975, where he inhabits the body of a white FBI agent confronting radical Indian activists, the first episode in an out-of-body odyssey. Smart, funny, and resilient, Zits is profoundly transformed, as the hero in a tale of ordeals is supposed to be, by his shape-shifting experiences as an Indian boy at Little Big Horn, an Indian tracker, a homeless Indian drunk, and a pilot in unnerving proximity to a Muslim terrorist. Alexie's concentrated and mesmerizing novel of instructive confrontations is structured around provocative variations on the meanings and implications of flight as it asserts that people of all backgrounds are equally capable of good and evil. Donna Seaman
    Copyright © American Library Association. All rights reserved

    Most helpful customer reviews

    2 of 2 people found the following review helpful.
    An exploration of issues faced by children of Indian descent in foster care, and a plea on their behalf
    By E. Glenn Anaiscourt
    One of the things I like about Sherman Alexie is how little he seems to care what anyone else thinks about what he is doing. He just does it. So "Flight" comes across to me as honest. I find honesty to be one of Alexie’s most appealing qualities as a writer.

    “Flight” is an exploration of how to grapple with and respond to oppression. One option is through violence: Alexie’s central character Michael, a.k.a. Zits, is a troubled teen driven out of desperation to the point of committing an atrocity. In the name of “justice,” which is both personified as a human character and symbolized in the form of firearms, Michael is prepared to commit a mass shooting of numerous, mostly Euro-American people who happen to be present when he goes to rob a bank.

    Michael is prevented from completing this violent act through a divine intervention which sends him traveling through time and across different personalities so that he can better understand who and where he is. In the course of his Flight, Michael considers his act within the context of such historical events as the Battle of the Little Bighorn, 9-11 and similar terrorist acts, and Ghost Dances performed by Indians who hoped to make Euro-Americans disappear entirely and forever.

    Michael remarks that Crazy Horse, “the greatest warrior in Sioux history[,] is a half-breed mystery” and concludes that a successful Ghost Dance would destroy not just Euro-America, but him along with it since he is the product of an intermarriage between an Indian and a Euro-American. Alexie frames the question of whether and how to exercise individual power over the lives and deaths of other people – not just in reality, but also in the imagination – in terms of whether Michael should be willing to kill a random Euro-American if it means he can have his deceased mother back. She was, incidentally, of Irish descent.

    Through his Flight, Michael is able to transcend himself and thus ultimately concludes that the violent choice would constitute an act of treason against humanity, and against his own sense of humanity. This conclusion is valuable to him not so much as an Indian person or as a complete and permanent solution to his personal problems, but as a young man in trouble who needs to acquire powerful psychological weapons to combat the effects of the negative, self-indulgent, and insensitive authority figures who traumatized him in his early life.

    Some of the people whom Michael inhabits during his Flight seem so different from him initially as to be anathema and impossible to connect to his own perspective. First, for example, he is forced to confront ugliness, irony, confusion, hypocrisy, and social complexity head-on in the shoes of a white FBI agent dealing with Indians who secretly collaborated with the agency on a reservation in the 1970s. Michael questions whether he can legitimately challenge the atrocities against Indians of the FBI agent whom he inhabits if he himself was willing to shoot random bystanders during a bank robbery. Believing he has already committed the mass shooting and after spending some time living from the agent’s perspective, Michael decides he is no better than the FBI agent.

    Michael later finds himself incarnated as a boy at home with his family in an intact Indian community at the site of the impending Battle of the Little Big Horn. As the boy, Michael is voiceless because a white soldier cut his throat on a prior occasion. As Custer’s Last Stand unfolds according to historical fact rather than familiar legend, Michael contemplates revenge, cycles of violence, and their consequences.

    He then finds himself in the form of a 19th century Irish soldier (an ancestor on his mother’s side?) at the scene of an U.S. Army massacre of an Indian community. As this nightmare unfolds, Michael is struck by the act of a white U.S. “traitor” who deserts to try to save an Indian boy from the slaughter even though this act will likely prove futile and suicidal. In contemplation of betrayal, which is an overarching theme of the book, Alexie conveys the message that the real traitors at the site of the massacre are not deserters, but soldiers who comply. Acts of violence perpetrated against other people constitute a form of treason. Those few who see reality for what it is at the time events unfold and who choose to stand on the side of real justice do not enjoy glory. They are martyred unceremoniously, but preserve their humanity as they make their own, anonymous "last stands."

    Michael’s Indian father is a mystery to him because he disappeared soon after Michael was born. Michael’s Irish-American mother cherished him until she passed away while Michael was still very young. As an orphan of mixed heritage, Michael was subsequently neglected, abused, and then abandoned by his Euro-American relatives, and wound up in the foster care system. The father Michael never knew embodies the confusion and complexity in his family background.

    In Michael's final incarnation during the Flight and before he returns to himself, he steps into his father’s shoes and comes to understand some of the reasons that he abandoned his wife and baby son. Understanding his father better helps Michael begin to move past anger, resentment, confusion, and insecurity, and to possibly embrace a more loving life in a healthy and positive environment with the “almost real family,” as he calls it, into which he is finally placed.

    Flight is an exploration of issues faced by children of Indian descent in foster care, and a plea on their behalf.

    0 of 0 people found the following review helpful.
    a 15-year-old at-risk Native American foster kid with bad acne, serious issues and a big heart
    By Stigmata67
    My first Alexie book. It's YA, but it doesn't read that way. The narrator, a 15-year-old at-risk Native American foster kid with bad acne, serious issues and a big heart, is as compelling in his way as Holden Caufield, and a lot more sympathetic. He's angry and confused and alone, the kind of kid who needs a shot of serious kindness and a big life-jolt to shake him out of his adolescent rage-storm. He gets the jolt before he gets the kindness in a way that might put the reader in mind of "Quantum Leap" crossed with "Little Big Man." It's a terrific quick read, and I look more forward to indulging in some of his work for growed-up folk.

    1 of 1 people found the following review helpful.
    Flight Review
    By Colleen Kennelly
    Overall, Flight was a good book. The setting of the book is in 2007 Seattle, Washington. Zits a troubled teen whose lost his mother to breast cancer and whose father ran out on him very young. After having another run in with the police, Zits meets a kid named Justice in "kid jail". Zits and Justice have a very deep conversation about life and learn to "love" each other. When released Zits decides to meet up with Justice so they can become closer friends. Little does Zits know that Justice will persuade Zits to shoot down a bank. So, because of Justice's persuasion, Zits goes into a bank and shoots it down killing many people; including himself. When Zits wakes up he find himself in a different body. This happens 6 times as he goes through 6 different characters. He becomes an FBI agent gone bad, a cavalry soldier, a cheating husband, his runaway father, a little Native American boy under U.S army attack, and obviously, himself. When Zits wakes up from his "dream" he realizes he is in the bank with no one dead. After leaving the bank, Zits goes to turn himself in because he had the idea of shooting the bank down. Finally, after later being declared no longer a threat to society Zits gets put in a foster family with his parole officer's brother. He quickly grows to love them and earns his real name back, Michael.

    See all 196 customer reviews...

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    Senin, 03 Februari 2014

    [Y813.Ebook] Ebook Free HeartBeats: the rhythm of love, by Gale Alvarez

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    HeartBeats: the rhythm of love, by Gale Alvarez

    HeartBeats, a collection of 101 life-learned reflections, will bring you peace, clear perspective, and a revitalized hope you always wanted but never thought you could experience.



    As I sensed the impossible situations my friends were facing, I was driven to share the unlimited possibilities of a loving, merciful God, and hence, HeartBeats was born.


    —Gale Alvarez



    Listen as Gale speaks in her soft yet confident voice:


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    •“We must learn to trust Him when we feel like we cannot trace Him.”


    •“When His love takes you in, everything changes.”


    •“God says yes to your fulfillment, yes to your joy, and yes to who you are in Him.”,

    • Sales Rank: #1013877 in eBooks
    • Published on: 2016-01-26
    • Released on: 2016-01-26
    • Format: Kindle eBook

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Wonderful!!
    By Linda Squillante
    I loved Gale Alvarez's book! It is overflowing with an abundance of love. It touched my heart and soul in numerous ways and strengthened my personal relationship with God.
    This beautiful book is for everyone. This is not a book that you read only once and then place on a shelf, forgotten.
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    You will feel such great, inner peace knowing that God, in His infinite love and mercy, is with you every step of the way in this personal journey called life. What a blessing!

    0 of 0 people found the following review helpful.
    Eloquently written and easy to digest
    By michelle
    What an inspirational book. Eloquently written and easy to digest. Every page is so applicable to my life's journey and speaks to me. The beautiful words on these pages will resonate with everyone in every walk of life. Will be purchasing more to gift to my loved ones.

    0 of 0 people found the following review helpful.
    Worth a read
    By Cynthia Robinson
    This book is so inspiring. Every page is a new and refreshing way to look at your walk with God. Thank you for taking the time to write a book that can be a reminder of heartbeats his and yours.

    See all 5 customer reviews...

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    [T801.Ebook] Free PDF Principles and Techniques of Electron Microscopy, by M. A. Hayat

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    Principles and Techniques of Electron Microscopy, by M. A. Hayat

    • Sales Rank: #6359559 in Books
    • Published on: 1975-05
    • Original language: English
    • Binding: Hardcover
    • 267 pages

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Five Stars
    By R Bizzoco
    Good book

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    Minggu, 02 Februari 2014

    [Z542.Ebook] Free Ebook Mastering the Marathon: Time-Efficient Training Secrets For The 40-Plus Athlete, by Don Fink

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    Mastering the Marathon: Time-Efficient Training Secrets For The 40-Plus Athlete, by Don Fink

    The ideal resource for athletes age forty and older who seek faster times and fewer injuries

    • Sales Rank: #130944 in Books
    • Published on: 2010-09-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.00" h x 6.00" w x .50" l, .87 pounds
    • Binding: Paperback
    • 240 pages

    Review

    Praise for author's previous book, Be IronFit:

     

    "Most how-to books are too technical or too shallow.  Don Fink manages to pen a unique combination of information, anecdotes, and readability.  I enjoyed the read and learned a few valuable tidbits in the process.  Well done!"  —Scott Tinley, two-time Ironman World Champion

     

    "Don's book certainly made me think.  A truly complete book for all abilities in the sport of triathlon that leaves no subject untouched."  —Spencer Smith, three-time Triathlon World Champion   

    From the Back Cover
    The ideal resource for athletes age forty and older who seek faster times and fewer injuries
     More than half a million Americans, and millions more worldwide, attempt a marathon every year. Around half are forty years old or older—athletes whose passion increasingly turns to frustration as they mature, with slower finishing times and more injuries. And yet, until now, there has been no book written specifically for them. In Mastering the Marathon, champion forty-plus endurance athlete and trainer Don Fink sets forth programs for anyone over forty—including those who enter the sport after turning forty—to prove that the challenge of a marathon is not too difficult, that the dream is not impossible.
     
    Starting with the premise that the training methods that work for younger athletes no longer work for athletes in their forties, fifties, and sixties, Fink presents exciting new training methods and step-by-step action plans that result in faster times, fewer injuries, and more enjoyment for the forty-plus marathoner. Including photos and profiles of successful older athletes, Mastering the Marathon also provides an illustrated exercise program for core and functional strength, ways to avoid common training and racing mistakes, recovery methods unique to forty-plus athletes, secrets to staying injury-free, and much more.

    About the Author

    Don Fink is an internationally known triathlon and running coach/trainer and the author of the popular triathlon training book, Be IronFit: Time-Efficient Training Secrets for Ultimate Fitness (Lyons Press). He trains endurance athletes on five continents through his business: IronFit (IronFit.com). Don is also an elite athlete; his time of 9:08 at the 2004 Ironman Florida is one of the fastest times ever recorded by an athlete in the 45-49 age group. 

    Most helpful customer reviews

    10 of 10 people found the following review helpful.
    A Very Easy to Understand and Follow Marathon Training Book
    By DJL
    I found this book to be thoroughly readable, filled with useful information and even entertaining. The writing is clear, concise and accessible to the average reader. It is not filled with jargon so that as a novice I felt comfortable reading the book and fully understood the plans and techniques set forth. The personal stories about different runners were fun to read and quite inspiring as well.

    Don walks you through the entire marathon process with special sections on everything from equipment to stretching with special attention to race day nutrition and hydration. I found these sections to be both useful and reassuring. However, the best part of the book is the training plan and descriptions. As a working parent with two kids my training time is limited so I need to make the most of each training session. In clear detail, Don shows how to make each session count and avoid the "junk miles." That alone is a reason to purchase the book and follow the plan.

    I am 100% confident that this book will make me a better runner just as Be Iron Fit has improved my triathlon training beyond my expectations.

    14 of 15 people found the following review helpful.
    Perfect for masters-level athletes
    By Long Distance Man
    Don Fink's book is perfect for athletes who want to keep improving after turning 40. I've run 12 marathons, hit 40 and felt like I was plateauing. With Don's program, I feel stronger and healthier (and no nagging injuries!). I highly recommend this book for anyone who runs, regardless of the skill level. Fink's philosophy works for athletes at all levels, from elite to middle-of-the-pack. Try it! It will put you on the road to your ultimate potential.

    6 of 6 people found the following review helpful.
    Three Magic Bullets - worth reading for any age not just 40+
    By Brian M
    Saw this on a friend's list and since I fit the profile (over 40, training for a marathon) I thought I'd give it a shot. The author, Don Fink, is a tri-athlete holding one of the fastest times ever recorded by an athlete in the 45-49 year old category. I'm halfway through the book and so far so good. The author's main theme is what he calls the "Three Magic Bullets" (TMBs) for training. These are the Marathon Pacing Session, the Long Run, and Higher-intensity Repeats. My wife is a runner so I was already familiar with the concepts but Don Fink's analysis and explanation are worth reading.

    Don Fink also advocates for training with a heart rate monitor as your heart rate is a good indicator for your body's thresholds for handling aerobic and anaerobic activity - both critical aspects for clearing lactic acid buildup and for energy storage and consumption. I haven't tried this yet but I'm convinced it's worth trying.

    Skipping ahead there is a section on nutrition and diet and the importance of weight maintenance. I've learned from experience that being even a few pounds lighter makes a significant difference in my running so I look forward to seeing what the author has to say.

    I also enjoy his profiles of different 40+ athletes throughout the book; they provide some additional inspiration.

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