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Inca Architecture and Construction at Ollantaytambo, by Jean-Pierre Protzen
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It is a modern-day mystery how the Inca, who did not have iron tools or knowledge of the wheel, mined and transported stones and dressed and fitted them in remarkable structures. Jean-Pierre Protzen has spent much of the past decade investigating the quarrying and stonecutting techniques of the Inca, and problems of Inca construction practices. His work is based principally on observation, careful measurements of structures, and experiments using stones and tools the Inca stonemasons would have used. Ollantaytambo, probably the best-preserved Inca town, offers an ideal laboratory with its well-thought-out site plans, its intimate integration of the built form with the natural environment, the unity of its architecture, and the sheer perfection of its cut-stone masonry. Offering the only extensive analysis of Inca construction practices, Protzen describes and interprets the archaeological complex of Ollantaytambo, discovers temporal and functional links among its components, uncovers the planning and design criteria that governed its layout and architecture, and compiles all that has been written about the site.
- Sales Rank: #3926034 in Books
- Published on: 1993-07-08
- Original language: English
- Number of items: 1
- Dimensions: 11.31" h x .94" w x 8.81" l,
- Binding: Hardcover
- 320 pages
Review
"His study is nonetheless fascinating, useful, readable and far from being a boring and stodgy archaelogical report."--British Bulletin of Publications
"Everyone interested in the organization of Inca architecture and its execution will be delighted that here is a book that describes evidence on that subject from quarry to site and uses replicative experiments to gain an understanding of the technology employed."--Antiquity
"Clearly written and abundantly illustrated book is itself a beautifully crafted monument to the vision and planning of Inca architects and to the classic perfection of Inca stonework and construction. It will prove valuable, as an example and an inspiration, to anyone who works with the siting and the total technology of ancient monumental architects."--Journal of Field Archeology
"Fascinating, useful, readable and far from being a boring and stodgy archaelogical report."--British Bulletin of Publications
"Clearly written and abundantly illustrated book is itself a beautifully crafted monument to the vision and planning of Inca architects and to the classic perfection of Inca stonework and construction. It will prove valuable, as an example and an inspiration, to anyone who works with the siting and the total technology of ancient monumental architects."--Journal of Field Archaeology
"Clearly written and profusely illustrated...Inca Architecture and Construction at Ollantaytambo is sure to engage Andeanists, architectural historians and a lay public interested in prehistory....Protzen's work is a significant contribution, especially because of its attention to architectural detail....A finely crafted work that will stand as an important resource for years to come."--American Scientist
"This volume on Ollantaytambo...makes a significant contribution to the field."--Latin American Antiquity
"...superb..."--Latin American Research Reveiw
"Jean-Pierre Protzen is an architect...and a subtle scholar who observes minute clues carefully and just as carefully verifies the hypotheses he developed from them in down-to-earth experiments. He does this all while keeping the romance of the Inca alive in us as we read."--Technology and Culture
"A major advancement in the study of Inca architecture, this monograph will undoubtedly stand for years to come...a finely detailed, close analysis of a specific site, focusing on the empirical data gleaned from very careful observation and study."--JSAH
About the Author
Jean-Pierre Protzen, Architect and Professor of Architecture, University of California, Berkeley.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Inca Architecture and Construction at Ollantaytambo, Jean-Pierre Protzen.
By walter a seward
I wish I had owned this book when I was in Ollantaytambo trying to decipher those ruins. To describe it will be both hard work and dangerous - dangerous because any honest review will sound like hyperbole; but it would be hard to exaggerate the qualities of this book. It is a work of breathtaking grandeur.
I'd never seen a copy before - I'd been to the UC Berkeley library to borrow it, but it was out. I knew it to be a well-respected study among Andeanists, one of the two primary publications on Inka architecture, and the definitive work on the Ollantaytambo site from any perspective. I hadn't been able to bring myself to buy it at the prices asked for used copies. Now I see why they can ask those amounts.
It's magnificent. It is awesome in all its dimensions; depth, breadth, height, and in detail, each separately. The guy left nothing undone (I say this before a complete reading, but I can already see that he's covered more than I would have considered, and in fine grain.)
The graphics alone. Beyond the many photos he has regional and local maps, topographical maps, floor plans, site diagrams, architectural drawings in cross-section, face-on view, angle view, and isometric perspective. Beautiful drawings of what now stands and speculative reconstructions of what they might have been like. Some he did himself, some from historical draftsmen and explorers like Bingham, Squier, and from the Gasparini/Margolies book "Inca Architecture"; and some originals for this book by, for instance, Robert Batson, who did the wonderful sketches for Susan Nile's The Shape of Inca History. And variations on these kinds of illustrations I don't have the vocabulary to distinguish. Charts, maps, pictures, plans.
He has names for all the places and constructions I just stared at wordlessly - names in Runasimi and English; and site plans to identify them in situ. He goes into this one site with nearly as many pages as Gasparini and Margolies do covering all of Inka architecture. I have only begun to see how many angles, with what fine attention, he approaches this place. He writes well, clearly, with no artifice and no attempt to beguile the reader, and he is credible in every word; he makes no questionable claims and shows no scholarly defensiveness; he's quietly confident in the solidity of his work. He's interested in it. He's doing his own research, filling what he recognized as a howling information vacuum, a deep deficit of knowledge about this place and all the elements of mind and method of the people who built made it. I'm going to learn a lot from this. Many questions answered, and good new ones opened.
Another graphic I forgot. The Inkas built storehouses, called colcas, wherever they went. You'd think they'd just put up a barn and stick stuff in it, but they were scientists, sophisticated in techniques of preservation. I happened to open this book to a point showing photographs of three-dimensional models of some of these colcas, built into a hillside; he and a two colleagues were blowing smoke in and around these models to study wind flow in the individual storage houses and showing how one would effect the flow to another - I haven't read it so I don't know what they were after, but temperature and moisture control were critical factors in the Inka calculations.
The first two-thirds, approximately, of the book are about the site itself, how it is now and how it was then, breaking it down, thinking it out, and the last third is about how it was done. This book is renowned for shedding the first real light on inka masonry and building techniques - before him it was mostly speculation, often bringing in aliens from another galaxy to do it with psychokinetic levitation, or by rendering rock malleable then hardening it again.
When I go back there I'm going to be a god. I may take up guiding just for the love of it. I've heard some of those guides spew some awful bullpuckey at trusting tourists. This book can be trusted and deeply enjoyed.
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